Archive for the ‘Photo Tips’ Category

Try These Seven Tips For Better Holiday Photos – Simple Tricks for More Memorable Holiday Snapshots

Monday, December 1st, 2008

Where We’re Coming From…

Monday, November 24th, 2008

I found my old 35mm camera again this morning. I haven’t used it since college—but it’s been lovingly packed up and carried with my wherever I move, even if it’s to just sit on a shelf or in the back of my closet.

I have two digital cameras which see far more use, but nothing will ever make me give up that old camera.

Two reasons: it was my first real, grown-up, utterly manual camera—everything this camera did was my choice, good or bad—and my grandfather gave me this camera as a gift before I left for college. It was a requirement that all incoming photo students own a 35mm camera with an internal light meter. The camera was given to him several years before, but he had another which he preferred.

The camera itself is a Rolleiflex and is a workhorse of German engineering that will quite likely outlive the 35mm film format. I keep it in a mismatched leather case that doesn’t quite close because the front of the original fell off during a trip to the zoo and dropped into the wolf enclosure. I remember there being a moment where I was watching the case fall and thought, “I could still grab it…but then I might drop the camera…” The wolves could have the case. I spent a majority of my time in college with this camera to my eye—even without it I saw the world through a frame: how would I photograph this? What aperture? What speed? Each and every moment could be a perfect image just waiting to be caught.

Time seems different when you can press it into film. There is something frozen about a photograph, something still and quiet. You have to slow down if you want to look at old albums or slides—you have to specifically seek them out. It’s the same to taking pictures on film—you have to move deliberately to some extent. If there’s anything to call our lives in 2008, slow is far from it, and stopping everything to try a find your family’s old pictures isn’t as appealing. Especially not when digital cameras enable us to have years of images and memories just a few mouse clicks away.

Does that mean that we have any desire to get rid of these old photographs, negatives, or slides? Not at all, just like I would never even dream of getting rid of my grandfather’s camera. These are history—more than that, these are our histories. One of a kind and utterly priceless.

When was the last time you looked through your stacks of old photographs? Many of us even have inherited drawers or boxes filled from our parents, and their parents as well. All filled with small windows into the past that we might not have ever seen. Wouldn’t you like to?

This is where ScanDigital is ready to help you.

Submarine Delta

Thursday, September 11th, 2008

One of my favorite parts of this job is interacting with our customers.  I have yet to have a conversation about ScanDigital where the other person does not start talking – animatedly – about “their” photos. Whether it’s a family vacation to Europe, a collection of images from a favorite relative, or the story of a professional photo shoot – it seems every person has a unique story about their images  We carry a connection to these images and there is nothing in the world like seeing those images in crisp digital format preserved forever.

Recently we processed an order for Eric Curry. Eric is a professional photographer that specializes in industrial shots.  His work is amazing and he shared one of his stories with me that I wanted to pass along to our readers.

More information on Eric and his work can be found at: http://americanprideandpassion.com/

Here is the story about his shot Dive, Dive, Dive (you can see a larger version with more detail by clicking on the image):

This image of a real mini submarine inside a factory is, “A True Story,” so to speak, as this little sub has been the primary business for her owner, Douglas Privitt, his partners and submersible pilots for the last 26 years.  In this photo, we are recreating, in a sort of whimsical fashion the scene from when the hull was first rolled at this same facility over 26 years ago.  I’m trying to imply a sort of Tom Sawyer / Huckleberry Finn feeling of “painting the fence,” mixed with a sort of Norman Rockwell flavor too.  I want people/ kids, to view this very large print on the wall of a museum some day and say to themselves, – Wow!  We should build a submarine too!

Motivation for me was not so much the really cool look of the mini sub placed against a backdrop of a rough factory environment, the welding torch or sparks from the grinder.   Rather it is the passion of the owner, Douglas, pictured in the open hatch (now in his late 70’s) who had the determination to pursue his vision, and by doing so is allowed to live out his dream of actually building a mini sub and using it as a business for all those years. They still do operate it to this day.   Writing the article for the image (not that anybody will read them,) I think helps others understand some of the motivations that compel some individuals.  The ingredients, that taken in total, make up a man’s life and help define him to a degree.  His passions, hopes, the fruits of his creativity, maybe also the pursuit of happiness that is one of the cornerstones of our great country.  With all the very bad things in the world these days, I like to offer something that is positive and real.

Maybe subtly, I would hope that people might intuitively understand that this photo is not just a pretty picture of a mini submarine, but speaks to a much broader issues of passion, determination, capitalism, free enterprise, the pursuit of happiness, and the skills needed to build such a wonderful jewel of engineering.  (Stay in school!)

Douglas started building submarines in the 1950s, coming from a career as a tool and die maker, he was also a winning motorcycle racer.  Over the course of several years now, he has built five different mini submersibles, Delta, pictured is the last in a line of highly successful diving rigs. In addition to the physical construction of the sub’s structure, Douglas constructed most of Delta’s original support systems on board, including the tracking and sonar systems, mechanical and hydraulic arm, along with the lights and camera housings.  Several of these separate systems (tracking and sonar specifically) have since been upgraded with high tech off the shelf electronics as developments in technology have allowed.  To date, the sub has performed 6,978 dives with a perfect safety record.

Interestingly, and so in keeping with the spirit of the picture, on the right side of the photo, is the foreman of this fabrication plant, Armando.  He is actually the nephew of the original foreman who rolled the hull all those years ago.  On the left hand side of the frame, grinding away is the primary pilot, Chris Ijames, the sub’s pilot for 18 years now.  Chris is also the guy who runs the day-to-day operations of their joint business, Delta Oceanographics, as they are partners.  Chris has logged about 2000 dives to date.

Notice the bucket of paint, and little Beatles Yellow Submarine included in the photo- just for fun.  All of the equipment on the foreground floor is from the sub itself.  We had to drag the sub and some of the loose equipment from Torrance where it lives in Doug’s machine shop, Marfab, via a flat bed truck to the city of Santa Fe Springs for the purpose of creating this image.  This photo took almost a year for all the different schedules to align so we could collectively work on making such a pretty picture.  It was truly a collaborative effort.  The company is Paramount Roll and Forming of Santa Fe Springs.  Paramount was so very generous to us by allowing the picture to take place.  In addition to granting access for the photo over the course of two days, they were very accommodating by cutting and welding several large pieces of scrap metal which were used in the photo as props.  All this effort in exchange for a finished print- wonderful!  From start to finish, the shot took over 16 hours of moving sub and equipment, propping, and then finally shooting that evening when it got dark enough to paint with light.  Over 700 frames were exposed that evening.  The following day- Sunday, we hauled it all back again.

This submarine Delta is a two-man vehicle; it has an operational depth of 1,200 feet.  A tested depth of 1,700 feet and a crush depth calculated to be about 3,000 feet.  With a cruising speed of 1.5 knots and a maximum speed of 3.5 knots, it can stay submerged in an emergency for 3 days straight.  There are nineteen view ports, and the sub’s total weight in air is 4,800 Lbs.  A typical sortie is usually between two to three hours and sometimes up to four hours duration, but there is enough chemical scrubbing agents to remove Co2, and battery power to operate the system for the whole 3 days if need be.  In an emergency, the entire propeller, propeller housing and rudder assembly, along with the rudder control linkage mechanism can be jettisoned, in order to free the sub from fouling of a net or other items that might get snagged on the structure.  They had to do just that once at a depth of about 300 feet while they were exploring a shipwreck, Lusitania.  Pretty scary stuff.  You can see the spare prop housing on the floor, that they used to go back down and retrieve the discarded hardware.

I once asked Chris what it was like to fly the ship underwater, expecting an enthusiastic response about the freedom and incredible sights that must open up to anyone lucky enough to go for a ride.  His reply only surprised me a little.  Explaining that it is often cold after you have been down a while as the hull is solid steel, a great conductor of cold temperatures from the outside waters, often, when diving, the visibility is restricted so you only see what is relatively close to the submersible, There have been more that one occasion when they finally settled on the bottom, only to find the visibility too restrictive to perform the mission for the day and have to scrub the dive.  His experience is that the ocean floor is littered with all sorts of debris that can be a real hazard for them; mostly old snagged fishing nets, and it is critical to keep an eye out for them.  Finally, it is a relatively restrictive environment inside the sub, definitely not a place for somebody with claustrophobia issues.  As pilot of the craft, and with the responsibility for the passenger, he maintains a professional and vigilant perspective at all times.  Chris did share that, through the past years, with all the different locations around the world they dive, some of the most striking scenery is found in the waters of Alaska and the Channel Islands just off the California coast.  Because of an abundance of marine life and unlimited visibility, it can sometimes be a magical experience, truly amazing.

They offered me a ride on the sub this summer if they get the contract to dive off the coast here locally.  There will be several days where they go out and back each day from Oxnard, and I’m welcome to come along, if everything works out, I can maybe go down for 4 hours or so.  We’ll see… Eric Curry

ScanDigital Updates

Friday, July 18th, 2008

There are a few new things that we are happy to introduce this month to our customers. We are always in the process of developing new ways to improve our service on all ends to offer the best digitization services on the market.

Large Flatbed Scans – ScanDigital is now offering scans up to 12.2”x17.2” in either 300dpi or 600dpi. By adding this service ScanDigital will be able to offer high quality full scans of large photos, newspaper clippings, artwork, album pages and scrapbooks. By capturing the entire image in one scan the quality is far superior to having to “stitch” different images together in an editing program. The pricing at 300dpi and 600dpi is $1.88 and $2.88 respectively and is relatively inexpensive when considering that elsewhere the price is upwards of $6.00 a scan. For those of you who scrapbook this option is a great way to protect and share your cherished hard work.

Capzles Partnership – ScanDigital is proud to announce that we have partnered with Capzles.com, an innovative new photo and video sharing site that lets users design their own timelines. Capzles’ amazing new flash technology allows for users to fully customize their timelines and seamlessly integrate photos, videos and blog entries. Check them out at www.capzles.com.

ScanDigital Growth – Over the past year ScanDigital has added more than 15 new employees to our skilled and dedicated team. Our experienced and highly trained team has been integral in helping ScanDigital become the industry leader in both quality and turnaround time. Each new member brings with them ideas and experience that have helped us improve all aspects of our business. By adding our great team members we are able to meet the ever increasing demand for our services while maintaining the quickest turnaround time. Also, you can rest assured that all their materials are being handled with the upmost care by trained professionals who are dedicated to providing you with the best possible images.

Are you suffering from AFLS?

Friday, May 30th, 2008

My original plan was to finalize part 2 of the series I started here a couple of weeks ago, but then I came across this piece on CNBC yesterday and thought it would be interesting for our readers.

David Pogue from the New York Times did a piece on “AFLS” – Analog Format Loss Syndrome. As he mentions in the piece, so much of the equipment out there available for consumers are simply too difficult for the average user’s patience. Not to mention that the resulting quality is lower than expected.

This really reaffirms ScanDigital’s value proposition. We completely remove the leg work from converting your photos, slides and negatives into digital format or transferring your old videos and film into a usable digital format.

To see the video, please click here (CNBC wouldn’t let me embed the video in this post):

Do you suffer from AFLS?

Slide Scanning and Negative Scanning – Why not just scan my photos?

Monday, May 12th, 2008

If you were to start exploring the process of getting your images scanned into a digital format you would quickly see that most often the price to scan your photos is lower than the price to scan your slides and negatives. You are probably thinking, “Great! I will just send in my photos to be scanned and hold onto my negatives for safe-keeping.” Unfortunately for a small savings you would be keeping yourself from receiving the highest possible quality.

When scanning a print you are not working from the original material (negative) so essentially it is similar to making a copy of a copy. No matter how much we can do to adjust an image and while the results are often great, the results from scanning negatives or scanning slides almost always allows for a higher quality digital image. Because of how the slides and negatives are chemically processed it allows for a color quality that cannot be met on a standard photographic print.

Many consumers assume that because of the larger size of the prints they would create better digital images but with the high quality slide and negative scanners available that is just not the case. At ScanDigital we use Nikon scanners specifically designed for 35mm negative scanning and 35mm slide scanning. They are designed to scan at a very high dpi (we offer both 2000 dpi and 4000 dpi) with Digital Ice technology that automatically fixes very small scratches and any small dust particles that didn’t get completely removed during the slide and negative cleaning.

Slide scanning is a particularly important thing to do as the life of these slides is short-lived. Ektachrome slides for example can start deteriorating rapidly after just thirty years. Many customers express concern over shipping their irreplaceable slides across the country, believing that they are safer tucked away in the closet. Unfortunately by not preserving them digitally they are suffering irreparable damage as time goes on. ScanDigital is integrated with UPS for safe, secure and trackable shipping so don’t wait, save your precious memories by sending in your slides today!

Instant Adjustments

Monday, March 24th, 2008

As a photography hobbyist and former semi-pro I have had quite a bit of experience in the arena of sports photography. For me sports photography was a natural fit as I am an avid sports fan and love the excitement of trying to snap that great shot right when ncb_g_blop_400.jpgthe moment happens.

For me, none of this would have been possible without digital photography. By being able to immediately review my images on my laptop I am able to make all the adjustments I need on the fly. So when that breakaway goal is scored late in the second half I have had a chance to adjust and re-adjust my camera so I can capture the moment perfectly.

As a photographer, athletes are coming at you very quickly and the focus points can be tricky. I find along with that the lighting varies in different spots and angles on an indoor court and when outdoors you need to always take into consideration where the sun is overhead and the changing cloud conditions.
While I would like to take a perfect shot every time, I am just not that good nor will I ever be. That is why I never miss an opportunity to review the images I have taken. The instant feedback of being able to view my own work has been every bit as valuable as any instruction I have received. Knowing what angles are working best with the lighting and how to adjust my equipment gives me an edge I would not have without the digital format.

Many of my best shots can be considered lucky by others and that I just happened to be in the right place in the right time. But most all of them were later in the game when I have had a chance to make adjustments and put myself in a position to be successful. It’s amazing how lucky one can get when they put in the work to get there.
Photo Credit: AP Photo/Kevork Djansezian

Mr. Gadget vs. Mr. Minimal

Tuesday, October 30th, 2007

Going to photography school with passion, enthusiasm and a longing for photographic knowledge can sometimes make the most open-minded student hang on every word a professor utters in his/her lectures. This can create a nightmare for by-the-book photo students that go out in the field thinking that the way they were taught was the best, most efficient and in some cases the only way to do something. Having worked as an assistant while completing the last semester of the photography program at Santa Monica College I quickly learned that there are several ways to skin a cat…if you take this literally, well, I really don’t like cats.

Now, whatever you learn in photography school it’s just a primer. First, there are several photographers out there that have no formal training.  Second, 99% of the potential clients out there could care less. And lastly, the bottom line is can you do the job.  No one cares if you went to Pasadena Art Center, Brooks Institute in Santa Barbara or Santa Monica Community College. Hell, technically speaking, they all give you the same education. In seven years, I have only encountered one situation where an editor actually said to me that she preferred people from a certain school. I wasn’t from that school but was hired and paid my day rate just the same. I delivered the goods and that’s all that mattered.

You are probably wondering what the hell this all has to do with the above title. Well, for the first few years out of photography school my bread and butter income was assisting two architectural photographers. One guy had several cameras, a studio full of strobe and hot lights and every gadget imaginable not to mention that he was on eBay every single day looking for more gadgets. There were glass filters with specific holders, center filters for every lens, a shutter release with a wind up timer on it; you name it he had it. And it wasn’t out of character to use 12 or more lights on one shot as a matter of fact it was common.

The other guy was a total minimalist. We would go out with a field camera, a basic Lowell light-kit (1 – 750 watt and 3 – 1000 watt lights) and one HMI. He even used his son’s old white bed sheet as bounce and he would put filters on the camera lens with blue tack and cheap plastic Lee filters.

The bottom line is that they are two of the top five and most sought after architectural photographers in southern California.

I learned a lot from working with each guy. Hence, when I was working on my own as a still photographer or doing work on low-budget independent films as a cinematographer, I employed everything I learned from both guys. If there was a budget for some gadgets I knew the most effective way to use them and if there was no budget, which was generally the case, I knew how to do the best with what I had.

So, work with anyone and everyone you can, absorb as much information as you can then go forth and do what you do.

The Emulsion Lament

Thursday, October 25th, 2007

22257146.jpg22257146.jpgI miss film and knowing everything about it. Okay, I knew a lot about a little…anyway, it was fun to study or just experiment with how various film reacted to light, chemistry and the calculated manipulation of both. Certain films had specific characteristics especially, the different films of the two main brands Kodak and Fuji. Very valuable information back in the day and now of no consequence in the digital age.

So begins the lament, provided that you haven’t stopped reading this which would mean that you are still reading this and this and this and… Whoa…I just woke myself up.

Learning the specific characteristics of Kodak, Fuji and even lessor known brands like Aftra films made me very good and valuable at my job and fueled my passion for my then immersion into photography. Yeah, I just patted myself on the back and smacked my ass saying you da man. I worked 30 hours a week at a professional photo lab and was enrolled in photography full time as well as working as a photo assistant periodically and working freelance for the school newspaper. That just prompted some warm nostalgic feelings. Forgive the drooling reminiscent tone but damn those days were exciting and memorable.

Kodak’s film characteristics were a little magenta. And if you pushed the film, especially slide (E-6) film in the chemistry it would start to go really magenta after about 1/2 stop. Fuji was a bit on the green side for negatives but there slide film Provia RDPIII was awesome. You could push it in the chemistry up to 1 1/2 stops before there was a noticeable difference in the natural colors on the film. This could be a life saver if you are shooting something and for whatever reason your light meter reading and/or assistant mis-read the exposure by a stop, you could push it in the chemistry 1 stop and another 1/2 stop if that wasn’t enough and still maintain the color integrity of what was intended, not to mention that the grain structure would also hold damn well against this strain.

You still there? Get us another beer wouldya.

Quick lesson if you don’t know: pushing and pulling films are terms used in a lab during post production. If you push the film you increase the exposure on the film as well as time in the chemistry. Hence, pulling film is the opposite. Your are trying to remove some exposure/overexposure from the film when pulling. Film reacts more drastically in terms of color shifts when pushing film than pulling it. Also, grain is increased the longer the film is exposed to the chemistry, etc.

My favorite thing to figure out was how different films reacted when cross processing them. If you don’t know, all negative film is C-41 which is the lab or professional reference and E-6 is the reference for all positive or slide film. Now, each of these has a very specific and different type of chemistry and process including temperature for developing. You develop a negative and you still have to print it on paper to see the positive image or photograph. A slide on the other hand is a positive image and once developed you, in affect, have your picture. Going back to my aforementioned favorite, if you take pictures using positive or slide film (E-6) and process it in negative (C-41) chemistry that is called a cross-processing. And yes, it’s called the same for going the other way – negative film C-41 developed in positive E-6 chemistry.

Without visual examples you will have to take my word for it when I say that when you figured out how different films reacted, and/or didn’t react. Cross-processing film would create photographs with a texture, vibrancy and mood that was so much fun to play with. A fun example is one photograph I took while hanging out in New York with my friends. The printed photograph looked like it was painted. It was a relatively calculated event. I knew that by shooting and then cross processing Kodak EPP (E-6) film in negative chemistry that the finished photograph should have an overall cyan hue, with saturated colors and more than normal grain. I had also remembered a photographer that shot for Billabong had mentioned to me that they did a few campaigns with this idea and that they used hot lights as the light source. If you don’t know, hot lights or any incandescent light is yellowish-red or warm in color temperature. For whatever reason, this made colors pop with the aforementioned process. Meanwhile, back in New York, I’m looking at the Brooklyn skyline from Manhattan totally front lit by the sun on a clear spring day at dusk. My calculated and educated guess ended up producing one of mine and my friend’s favorite photographs for quite some time and people still see it and think that it was manipulated somehow. Well, it was…by film, chemistry and a warm evening sun.

No more disks?

Wednesday, October 24th, 2007

fauxto1.jpgFrom time to time I’ll wander the internet for something new and absolutely intriguing. Usually when this happens it hides behind account sign ups, which I’d probably forget the usernames and passwords anyway. If I like my latest discovery, I tend to research it and learn more about it only to bump into a few people over the weekend who shoot down the one I’ve picked in favor of something better, faster and easier than what I’ve stumbled upon. The way it seems to go more often than not as the speed of development and innovation continues so quickly it is hard to keep pace.

logo-big.pngRecently I learned that Adobe was gearing up to move its full software line to the web. I was intrigued and began to investigate. There are a handful of companies trying to take Adobe like applications online and meet that challenge (Snipshot.com, Picnik.com, Fauxto.com just to name a few). Soon these startups will be beat or acquired by Adobe in its quest to move these applications to the web. Photoshop, the software on the lips of anyone doing image editing, is about to be integrated into a webpage. Well, to be fair “about” is a stretch I suppose. Rumor is that it will take up to a decade to make the full-blown version online, but within the year there should be a free version available.

picture-16.pngThis simply makes sense… the whole idea of having software sit online somewhere. This way the company knows exactly who’s using the software and when. No more pirated software, no need for updates/upgrades, and it pays for itself with advertisements! Yeah, I’m not too thrilled about that last part either, but I’d hope that if you subscribe to their program, you’d get those removed. Plus, it seems everyone has their pictures online somewhere to share with other people, why not fix them up a bit online first.

Now, Picnik and Snipshot are free so I’ve played around with their sites. They’re basic, but considering these applications sit within your browser, it’s amazing. Plus the average user does not need the wide spectrum of photo editing tools offered by a program with as much complexity as Photoshop. Fauxto’s site requires a sign in and going against my personal guidelines, I created an account. Now that I’ve tested a handful of these, I would say Fauxto comes the closest to Photoshop by providing layers and effects along with other goodies. I’d say check it out, but be careful before you go bragging to your buddies at the bar about your latest discovery… the next best thing is probably waiting just around the corner.