Posts Tagged ‘scanned to digital’

SoCal’s 405 Freeway Closes For Construction

Monday, July 25th, 2011

Temporary Closure Of 405 Freeway Displaces Millions Of Driver

Los Angeles Residents Anticipate ‘Carmageddon’

The photo you see here, which was scanned to digital by the Los Angeles Times archive, depicts the 405 Freeway as it appeared just six days after it opened in December of 1962. Construction had taken over two years, and the cost was an unprecedented $20 million. What was once part of a new 12-mile project connecting western Los Angeles to the San Fernando Valley is now one of the most traveled freeways in the United States, and home to some of the country’s worst traffic.

In an effort to ease congestion and increase traffic flow, an enormous project is currently underway to widen the Interstate 405. In order to complete this project, sections of the 405 must be closed, forcing millions of drivers to spill out onto surface streets in an event being known throughout Southern California as “Carmageddon.”

At the time of writing, all lanes and ramps along a 10-mile section of the northbound 405 are closed, between Interstate 10 and the 101 Freeway. Southbound lanes between the 101 Freeway and Getty Center Drive are also closed. As part of the project, the Mulholland Dr Bridge will be demolished and reconstructed. This will accommodate the addition of a northbound high-occupancy vehicle lane on the I-405 freeway, through the Sepulveda Pass. The new bridge will be 10 feet wider than its predecessor, and will be designed to the latest seismic standards. The Skirball Center Dr Bridge is also scheduled to be demolished and reconstructed.

According to the Los Angeles Police Department, major traffic spillage is not the only safety concern associated with the temporary closure of the freeway. There are several groups planning illegal use of the closed portion of the freeway during the construction project. One group of cyclists sought permission to race down long sections of steep highway. A group on Facebook even planned a block party on a Santa Monica Boulevard ramp onto the 405, to include music, drinking, and dozens of people. Cmdr. Andy Smith of the LAPD has stated that any such activity would be just as illegal during the closure as it would if the freeway were open, and that anyone who attempts such a stunt could count on “a swift and certain police response.”

To see more 405 freeway photos that have been scanned to digital, go to Los Angeles Times.

Artificial Trees Turn CO2 Into Oxygen

Wednesday, April 6th, 2011

Solar-Powered ‘Treepods’ The Future Of Clean Air?

Treelike Machines May Provide Fresh Air For Cities Of The Future

The illustration above, which was scanned to digital for online publication by AOL News, shows the inside workings of an artificial tree or “Treepod,” designed by researchers at New York’s Columbia University in conjunction with InFlux Studio in Paris. The Treepod is essentially a machine that helps clean the air using a carbon dioxide-removal technique called “humidity swing.” Made from recycled plastic bottles, this artificial tree is designed to resemble a Dragon Blood Tree, a beautiful and exotic-looking tree native to the Socotra archipelago in the Indian Ocean. Complete with wide branches and a distinctive umbrella-like shape, the artificial tree is powered by photovoltaic cells (solar panels) that cover the surface of its “foliage” – so to speak.

The idea for these artificial trees has grown from a competition in Massachusetts, sponsored by the SHIFTboston organization. For this competition, dubbed Boston Treepods 2011, teams of engineers have developed plans for “urban trees,” or synthetic tree-like structures that do what real trees do – absorb carbon dioxide and emit oxygen – but without the need for a specific growing environment. These trees don’t rely on regular precipitation, and don’t need to be planted in nutrient-rich soil, so they should work basically anywhere with sufficient sunlight.

These air-filtering feax trees are intended to perform a variety of functions. They will light up at night in multiple colors, providing an interesting aesthetic for urban spaces. They can also capture and store energy not only from their solar panels, but also from innovative seesaws attached to each tree’s base. If kids come along and use the seesaw, the Treepod converts that kinetic energy into a storable form. Of course, planting real trees would be much cheaper and easier than installing Treepods, but real trees must grow for years – sometimes decdes – before they mature enough to emit the same amount of oxygen as Treepod. Also, Treepods can be installed in locations where real trees could not survive. According to SHIFTboston, the first prototype Treepod should be planted by Q1 of next year. For more information, and to see more Treepod photos and illustrations that have been scanned to digital, visit AolNews.

Presidential Wheels: A Photo Retrospective

Monday, March 14th, 2011

Rolling With The President

These Days, Presidents Prefer The Cadillac

Needless to say, the President of the United States travels in style. The last several Presidents have all ridden around in Cadillac limousines, but look back a bit further and you’ll find that the Presidential wheels have varied quite a bit over the years. The first president to choose horsepower over actual horses was William Howard Taft, who took office in 1909. His White Motor Co. Model M is pictured above, in a classic image that has been immortalized through photo scanning by the Library of Congress. The White Motor Co. Model M was a roofless 7-seater and extremely modern for its time – the automobile had only been around for a few years after all. This 40 horsepower beauty holds the honor of being the first Presidential State Car, and the only steam-powered car ever to carry a President.

In 1918, Woodrow Wilson became the first President to ride in a Cadillac. Warren Harding would abandon the Caddy in favor of a Packard Twin Six, but Calvin Coolidge chose the 1928 Cadillac Town Car as his wheels of choice. Two 1938 Cadillacs called the Queen Mary and the Queen Elizabeth carried Presidents Franklin D. Roosevelt, Harry Truman, and Dwight Eisenhower, but all three presidents had other cars as well. The Queen Mary is shown in the second picture, which was also scanned to digital by the Library of Congress.

FDR favored a 1939 Lincoln Sunshine Special V12, which was the first car built specifically for presidential use. It offered a number of special safety features, including a siren, a two-way radio, and grab handles and running boards so Secret Service agents could ride standing on the outside of the vehicle. After the attack on Pearl Harbor in December of 1941, the Sunshine Special was given armor plating, bulletproof glass, and storage for submachine guns. While the Sunshine Special was being modified, the President Roosevelt rode around in a heavily armored Cadillac that was confiscated from the infamous gangster Al Capone.

Perhaps the most notorious Presidential ride of all time is the 1961 Lincoln Continental convertible, dubbed SS-100-X, in which President Kennedy was assassinated. Surprisingly, the car continued to be used by later Presidents. For obvious reasons, President Johnson added a glass roof, which President Nixon swapped for a metal one with a sun roof.

Not surprisingly, the SS-100-X was the last convertible Presidential vehicle. The last five presidents have ridden in Cadillac limos, including President Obama, whose 2009 Cadillac Presidential Limousine is the first State Car to not be based on a specific mass-produced model. Nevertheless, it features unmistakable Caddy styling, and about 5-inches of armor plating. Obama’s wheels are certainly safe, but not exactly green, as the limo uses a huge engine from a GMC commercial truck. Will the President abandon his Caddy for an armored Prius? It would certainly be a significant political statement, but I wouldn’t hold my breath.

The Stuff Of Oscar Legend

Wednesday, March 9th, 2011


Memorable Oscar Moments

1992: Jack Palance Steals The Show

The Academy Awards always make me feel sentimental. I’m probably not the only one who tears up during the slideshow of industry insiders who passed away in the previous year, but something about the show in general just makes me wish I could have been around to experience the glitz and glamour of Hollywood in its golden years, and I can’t help but think back to my favorite Oscar moments from years past. As I write this, the 2011 ceremony is still a few days away, but by the time it’s posted the show will have come and gone. I’ll probably follow up with a post-show post, but right now I want to think back to one of my favorite memorable moments from Oscar past (I am in a sentimental mood, after all).

The photo above, which was scanned to digital by the Los Angeles Times, shows actor Jack Palance performing one-armed pushups after receiving the Oscar for best supporting actor at the 64th Academy Awards on March 30th, 1992. He was 72 years of age when he accepted the award for his unforgettable portrayal of the tough-as-nails cowboy Curley Washborn in the now-classic Billy Crystal comedy “City Slickers.” I was still in junior high in 1992, and not old enough to see the masterful creep-fest that is “Silence of the Lambs,” which swept the major Academy Awards that year. But I saw (and loved) City Slickers, and Jack Palance was already one of my favorite actors, thanks to his marvelous performance as the cunning and classy mob boss Carl Grissom in Tim Burton’s “Batman” (1989).

I remember cheering when he won the award and dropped to the stage floor to do those push-ups. In that moment, he became as Oscar legend. Billy Crystal, who was hosting the show for the third year in a row, made several jokes about Palance’s spectacular feats throughout the rest of the evening. My favorite was “Jack Palance just bungee jumped off the Hollywood sign.” The joke was even carried over to the following year’s show, which opened with Billy Crystal atop an enormous Oscar statue, which was towed across the stage by Jack Palance, who used only his teeth to pull the ropes.

Palance had been nominated for the best supporting actor award twice before he won in 1992, first for 1952’s “Sudden Fear” and then the following year for “Shane.” Palance admitted that “it would have been more exciting (to win) then,” but he seemed pleased when he spoke to the L.A. Times, saying, “A long time ago, in 1949, when I did my first picture, the producer came to me and said, ‘Jack, you’re going to win the Academy Award….’ Forty-two years later, he was right.”

In 2006, Jack Palance passed away at age 87.

Cartoonist Berkeley Breathed Teams Up With Technicolor

Wednesday, June 16th, 2010

Cartoonist Berkeley Breathed Teams Up With Technicolor

Unlikely Duos Abound With ‘Pete And Pickles’ TV Series

Best known for the 1980s socio-political comic strip Bloom County, cartoonist Berkeley Breathed is no stranger to Hollywood. Boom County earned him the Pulitzer Prize for editorial cartooning in 1987, and since then he has worked on several big projects, including the film version of his children’s book “Mars Needs Moms!”, which is being produced by Disney and Robert Zemeckis. Breathed is also no stranger to unlikely partnerships, as evidenced by his most recent book, “Pete & Pickles,” which pairs a free-spirited circus elephant and a no-nonsense pig in an unusual friendship. Now part of his own unlikely partnership, Berkeley Breathed is joining up with longtime film processing company Technicolor to produce an animated television series based on “Pete & Pickles.”

Breathed admits to being skeptical when he was approached by Tim Sarnoff, president of Technicolor’s newly formed digital production division and the former head of the visual effects house Sony Pictures Imageworks. Breathed said he just “never associated (Technicolor’s) name with production.” But Technicolor has been evolving from a provider of behind-the-scenes services like DVD production into creator of content, and Breathed was eventually charmed by Sarnoff’s enthusiasm. Breathed said, “there is nothing better than working for a company that is hungry and anxious to prove themselves.”

And as Breathed knows all too well, creative projects in Hollywood can be sparked from the unlikeliest of places. “Pete & Pickles” was itself inspired by a drawing (the evolution of which has been scanned to digital, see above) by Breathed’s 7-year-old daughter. Breathed and Technicolor understand that children’s animation is a risky business, because the likes and dislikes of young viewers are so difficult to predict, and more established companies like Nickelodeon and Disney completely dominate the industry.

But Technicolor and DreamWorks Animation partnered to create a computer animation studio in Bangalore, India, where most of “Pete & Pickles” will come to life. Breathed has been very impressed with the quality of animation coming from Technicolor India, as the studio is now called, is preparing a short treatment to present to networks this summer.

To stay up to date on this project, and to see more of Breathed’s art that has been scanned to digital, check out http://www.berkeleybreathed.com.

Rare Marilyn Monroe Photos On Sale At Auction

Wednesday, April 21st, 2010

Previously Unseen Marilyn Monroe Photos Scanned To Digital, For Sale

Two-Day Las Vegas Auction Boasts Classic Film Memorabilia

monroePreviously unseen photos of Marilyn Monroe are among the hundreds of pieces of film memorabilia being sold by Julien’s Auctions at the “Hollywood Legends” summer auction this June. Taking place on Saturday the 26th and Sunday the 27th at the Planet Hollywood Resort & Casino in Las Vegas, the auction boasts original scripts, costumes, props, and photos from some of Hollywood’s biggest films, both classic and contemporary. The Hollywood Legends collection has toured the world, attracting attention from collectors throughout Europe and Asia.

The photos of Monroe, which have all been scanned to digital to allow the auctioneers to appeal to a wider audience, include snapshots taken on the set of the 1959 hit comedy “Some Like It Hot,” which co-starred Tony Curtis and Jack Lemon and remains one of Marilyn’s most iconic films. The never-before-seen vintage slides from the set, all of which have been scanned to digital, also depict co-stars Curtis and Lemon in their now-infamous drag costumes. The full-color images shed light on director Billy Wilder’s surprising decision to shoot the film in black-and-white, as the effect of the leading actors’ female disguises is much less convincing in color. Marilyn Monroe’s personal copy of the movie’s script is also on sale, and expected to fetch over $10,000.

Also included in the auction are several items from Monroe’s personal and public life, including the star’s personal bottle of Channel #5 perfume, several items of Pucci clothing, and even furniture from her Brentwood home. Other collectibles include Marilyn’s skis, her umbrella, her prompt book from her final (unfinished) film project, “Something’s Got to Give”, and more prints of candid snapshots that have been scanned to digital.
 Highlights from the collection will be on exhibit at Planet Hollywood starting on June 14th. For more information on the auction, please visit www.juliensauctions.com. To view the photos from the set of Some Like It Hot, click here.

April Is All About Glee

Wednesday, April 14th, 2010

April Is All About Glee

Buzz Builds As Hit Show Prepares For Big Return

gleeThe month of April has only just begun and already it’s clear that this is the month of “Glee.” The hit musical comedy has been on a 4-month hiatus since its mid-season finale aired in December of last year, but the show returns to Fox on April 13th, much to the delight of the show’s enthusiastic fan-base. The hype around the show’s return has created a new surge of internet buzz, including hundreds of behind-the-scenes, on-set photos appearing on big names sites like latimes.com, after being candidly snapped and scanned to digital.

But perhaps the biggest buzz-worthy story is the show’s nationwide casting calls and online auditions via MySpace video, which has attracted attention and raised high hopes across the country. Glee’s executive producers have begun a nationwide casting search to fill new roles for the show’s second season, and any performer between the ages of 16 and 26 can now upload a short audition video including an introduction explaining why he or she wants to be on Glee, and a performance of one of Glee’s hit tracks like Avril Lavigne’s “Keep Holding On” or Kanye West’s “Gold Digger.”

Glee’s talented cast and surprisingly (and refreshingly) witty writing has led to success and critical praise, including four Golden Globe nominations, and a win for best comedy or musical television series. Other ingredients to the show’s success include the show’s high-school setting and archetypical characters, which create the perfect recipe for drama. Add some Broadway-style musical numbers and buzzing sexual tension, and you have a hit on your hands.  

Another possible reason for the show’s success is the popularity of performance-based competition shows like “American Idol.” Taking the concept of a musical competition and turning it into a work of fiction provides instant appeal for fans of many genres. Chief among Glee’s fans are musical theater enthusiasts and Broadway buffs, a new generation of which has blossomed in the wake of youth-oriented Broadway hits such as “’Spring Awakening,” and “Rent.”

To get in on the Glee action, visit MySpace.com before April 26th to submit (or view) video auditions, or just search the Web for snapshots that have been scanned to digital and sneak-peak videos that have leaked onto YouTube.

California Then And Now

Tuesday, April 6th, 2010

The Ever-Changing State Of California

A Look At California’s Changing Scenery And Evolving Population

cathennowCalifornia is constantly changing and always evolving, both in its physical development and in its demographic makeup. The above photos of the Los Angeles Times building complex were taken 48 years apart, from the observation deck of the Los Angeles City Hall building. The photo on the left, which was taken in 1951 by Associated Press photographer Ellis R. Bosworth, depicts an up-and-coming downtown in which the ten-story Times building is an imposing and decidedly authoritative part of the skyline.

The photo, which is housed in the Times editorial library, was scanned to digital for use in an interactive “Then and Now” online article on the Los Angeles Times website. The photo on the right, which was also scanned to digital for the piece, was taken in 2009 by Times photographer Scott Harrison. In the more recent photo, the now-expanded Times complex looks rather small, sitting in the shadow of the much larger buildings that now surround it.

Just as the cityscape continues to change, so does the makeup of people who inhabit it. Often considered to be America’s ultimate melting pot, Southern California (and the entire state) has traditionally had a population composed mostly of people from outside of California. Each era has seen its waves of new Californians making their way into the state, from the Asian railroad workers of the 19th century to the high-tech entrepreneurs of the 1990s. Most of these newcomers came to California looking for work, and were often attracted to the southern part of the state for its strong economy and its clement weather. In recent years, however, the state has seen increasingly high housing prices and cost of living, causing many large, job-producing corporations to move elsewhere.

As a result, California is currently seeing a significant demographic shift, and is no longer the quintessential immigrant state of yesteryear. According to a USC study based on census bureau information, the majority of California’s population is now composed of native Californians, for the first time since the Gold Rush. According to many analysts, a larger native population can be good for California. For example, California-born residents are three times less likely to move out of state. Also, Latino children of immigrants complete more years of schooling and earn more income than their parents. Finally, the state gets a better return on its investment in education when people who are educated in California increase the size of the state’s skilled workforce. 

More accurate information about California’s population should become available in the coming months after the 2010 census is completed.

Scanned To Digital: Famous Olympic Moments

Monday, February 22nd, 2010

Scanned To Digital: Famous Olympic Moments

Medalists Tommie Smith and John Carlos Protest For Civil Rights In Mexico City, 1968

olympics2Perhaps more than any other sporting event, the Olympic Games are steeped in tradition, as each set of games has its shining moments and its tragedies, which live on in history. The 2010 Games have already seen a share of both. One memorable victory came to Canadian native Maelle Ricker, won the gold medal in snowboard cross racing on February 17th. She was the first Canadian woman to win a gold medal at the Winter Games in Vancouver, and received her prize in front of an adorning, cheering crowd in B.C. Place Stadium. But as much as the Olympics are all about being in the moment, there is also an element of nostalgia, and of history, as athletes compete both against one another and against the all-time greats. Records are broken, legends are remembered, and the Games of years past are celebrated.

            The above photo, which was scanned to digital for preservation, was taken at one of the most memorable medal ceremonies in the Olympics’ history, at the Mexico City Games in 1968. American runners Tommie Smith and John Carlos, who first ran together on the San Jose State University track team, brought home the gold and bronze medals, respectively, in the 200-meter race. During the medal ceremony, as the Star-Spangled Banner was played and Old Glory rose on the flagpole, Smith and Carlos closed their eyes, bowed their heads, and raised their fists in a non-violent protest that is now considered a milestone in the American civil rights movement.

This historic protest was stirred into being by a young sociologist and friend of the athletes, Harry Edwards. Edwards formed a group called the Olympic Project for Human Rights, which originally asked all black American athletes to boycott the games altogether, and built up support from civil right leaders and athletes alike. The boycott never came to fruition, but Smith and Carlos succeeded in telling the world that the American civil rights movement had not gone far enough to eliminate injustice. According to the athletes, the now immortalized protest was meant to represent black power, black unity in America, and black poverty in racist America.

Although the protest was met with outrage from the International Olympic Committee, which took the stance that political statements had no place in the Olympic Games, many were inspired by the bravery of these two young Americans. This photo and many others taken during the protest were scanned to digital in 1998, when Smith and Carlos were honored to commemorate the 30th anniversary of their protest.